I sketch him all the time, as you've seen if you read this blog, so I am familiar with the subject! However, in this case, instead of working from life, I worked from a photo.
This is on 18 x 24 Strathmore 400 watercolor paper, with Daniel Smith paints.
First I sketched the main shapes in lightly with pencil.
Then I washed in the spots of quinacridone gold. While that was still wet, I started the blue wash, because I wanted the colors to blend at the edges.
Still, I wound up with many harder edges than I had anticipated. Probably I didn't soak the paper adequately before I started! Live and learn!
I did this working in a tiny space, actually. Just a portion of the table at my friends' house during our weekly Open Studio. Best part of my week.
After I got home and things dried completely, I went back in with some glazing to darken the darks and warm up some of the gold.
I think I only used four colors in this work--quin gold, indanthrone blue, burnt sienna, and a second blue--maybe phthalo?--for his bright blue tag (and a bit of variation in the lake.
After spending so much time working with the flat photograph (which I think probably was what stymied me about the placement of that eye), I grabbed my trusty brush pen and journal and went outside to scribble Nik from life, while he played with his ball on a hot day.
I want to bring some of this scribbly liveliness into my bigger work!!
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